

So much of Chaplin’s and Keaton’s artistry came from the expressiveness of their eyes, convincing audiences that the world’s most interesting conversations and monologues resided within.Īt its core, Wall-E is a love story, and the courtship of Wall-E and EVE isn’t just achieved through silent film influences, but also films from the golden age of Hollywood as well. Stanton looked to silent films to achieve the emotional resonance he sought - in fact, he and his crew watched at least one Charlie Chaplin or Buster Keaton film a day for a year in order to hone their ability to convey emotion silently. His inspiration for conveying this dialogue came from the beginnings of film history. Club in a 2008 interview that his script for the film contained robot dialogue that he consciously knew would be replaced by the various robot noises heard in the finished film. But along with his nostalgia comes a strong desire for progress, a complex emotional interchange that speaks to Stanton’s ambitions as a filmmaker. Wall-E collects trinkets and objects left behind on Earth’s wasteland, displaying a strong sense of nostalgia. As “Put on Your Sunday Clothes” from Hello, Dolly! (1969) plays from a cassette tape Wall-E carries around, we get the sense of the robot’s ennui and loneliness without him ever speaking a word.

Before the title appears onscreen, the film’s cold open shows robot trash compactor, Wall-E, making cube after cube of rubbish which he piles high on staggering monuments comprising other cubes - a testament to the wasteful nature of mankind.

The result was revolutionary.Ĭhris Pine Joins Disney's 'Wish' Voice CastĮxcept for music, and the sound of a few advertisements still running on loop on the post-apocalyptic Earth where Wall-E is initially set, a significant portion of the film is silent. When Stanton took us to the future a decade ago, he did it by looking to the past.
#HAL 9000 WALL E MOVIE#
Wall-E’s love story is a tableau of art history and the science of movie making. Instead, Wall-E’s success came from a source not as easy to replicate: an intricate understanding of the eternal appeal of art and its ability to inspire. Wall-E, with its simple love story and $533.3 million global haul, was not the most narratively complex or most financially successful. From Toy Story to last weekend’s release of The Incredibles 2, Pixar has changed animation across the world, creating an increasingly competitive arena for engaging storytelling and box-office success. There are only a few Pixar films, like the Cars series, that haven’t lived up to the greatness associated with Pixar’s namesake. While Pixar established itself as an innovator with its first film, Toy Story (1995), Wall-E felt and still feels different from the rest of the studio’s output. Wall-E, considered by many upon release to not only be one of Pixar’s best films, but also a highpoint in animation, has remained a cinematic achievement. “Put on your Sunday clothes, there’s lots of world out there.” There are few riskier and more unexpected ways to begin a sweeping science-fiction opus than with show tunes, but that’s exactly what director Andrew Stanton did when he introduced the world to Wall-E 10 years ago, on June 27, 2008.
